Monday, 10 December 2012

Gilbert & George


The pair are perhaps best known for their large scale photo works, known as The Pictures. The early work in this style is in black and white, later with hand-painted red and yellow touches. They proceeded to use a range of bolder colours, sometimes backlit, and overlaid with black grids. Their work has addressed a wide variety of subject matter including religion and patriotism. The two artists also often appear in their own "pictures". They have described their "pictures" as a sort of "visual love letter from us to the viewer".
In 1986, Gilbert & George were criticized for a series of pictures seemingly glamourizing 'rough types' of London's East end such as skinheads. Some of their work has attracted media attention because of the inclusion of (potentially) shocking imagery, such as nudity, depictions of sexual acts, and bodily fluids (faces, urine and semen). The titles of these works, such as "Naked Shit Pictures" (1994) and "Sonofagod Pictures" (2005), also contributed to the attention.





Gilbert and George say: 'We want Our Art to speak across the barriers of knowledge directly to People about their Life and not about their knowledge of art. The 20th century has been cursed with an art that cannot be understood.'
Richard Dorment says 'When it comes to the art of Gilbert and George, my fate is to be eternally out of sync with the rest of the world. For years, whenever I said how much I admired their work, friends would roll their eyes and strangers would leave the room, they don't understand the art behind the images'
I personally think that some of Gilbert and George's work can be very offencive, but it was more of a shock to people when they first used to show there work but now a days we see stuff like this on TV almost every day. Some of there work to me sends a message across while others don't, but that's just the way every individual sees things differently.

Friday, 7 December 2012

Richard Billingham

'it's not my intention to shock, to offend, sensationalise,
be political or whatever, only to make work that is as spiritually
meaningful as I can make it -
in all these photographs I never bothered with things like
the negatives. some of them got marked and scratched.
I just used the cheapest film and took them to be processed
at the cheapest place. I was just trying to make order out of chaos.' - Richard Billingham



                            

 Richard's dad Ray was an alcoholic, in this image he shows that he's at the point where he can't even stand properly and we get the feeling like he's like this a lot of the time.





              
This image shows a long of emotion. on one side is shows Richards dad looking like he feels guilty but wants to ignore Richards mum and on the other side you have Richards mum shouting at him with anger as she clenches her first. They had many argument over his dads drinking problems.


I admire how Richard Billingham didn't try and sugar coat his life, instead he would show it how it is/




Tuesday, 4 December 2012

Collaboration. Gilbert and George

Gilbert and George have worked together for 40 years and only do art together. There art consists of multiple frames and images creating one massive piece of art.
They have depicted themselves as naked figures in their own work, recasting the male nude as something vulnerable and fragile rather than as a potent figure of strength.


Monday, 3 December 2012

Butterfly Portraits

In this work, magnificent textures and colors of enlarged butterfly wings are combined with female faces to create a unique twist on portrait photography. Carsten Witte fuses these two forms of natural beauty together in his series Camouflage.
The manipulation of shadow and light leads the viewer to look directly into the eyes of his subjects. The natural allure of each female face perfectly combines with the intricate details of each butterfly wing.

In these images it is hard to tell weither the butterfly wings are projected onto the faces of the models or photoshoped onto the models faces.